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The Cambridge Companion to the Clarinet
Author: Colin James Lawson
Publisher: Cambridge University Press
ISBN: 0521476682
Pages: 240
Year: 1995-12-14
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The Cambridge Companion to the Clarinet is a practical guide to the world of the clarinet. It offers students and performers a composite survey of the history and repertory of the instrument from its origins to the present day, as well as practical guidance on teaching and playing from historical performance to contemporary techniques and jazz. Informed by the experience of distinguished professional players and teachers, this book makes an essential and stimulating reference book for all clarinet enthusiasts.
The Cambridge Companion to the Clarinet
Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 1139825240
Pages:
Year: 1995-12-14
View: 552
Read: 703
The Cambridge Companion to the Clarinet is a practical guide to the world of the clarinet. It offers students and performers a composite survey of the history and repertoire of the instrument from its origins to the present day, as well as practical guidance on teaching and performing. Special focus is made on the various members of the extensive clarinet family and specialist chapters provide advice on the mechanics of clarinet playing, the art of historical performance, contemporary techniques, and the clarinet in jazz. A chapter on the professional clarinettist introduces the world of the performing musician, while a survey of the clarinet on record provides the listener with a useful guide to the recording history of the instrument. Informed by the experience of distinguished performers and teachers, this book makes an essential and stimulating reference book for all clarinet enthusiasts.
The Cambridge Companion to the Saxophone
Author: Richard Ingham
Publisher: Cambridge University Press
ISBN: 1107494052
Pages: 242
Year: 1999-02-13
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The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument's history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in 'light music' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.
The Cambridge Companion to Brass Instruments
Author: Trevor Herbert, John Wallace
Publisher: Cambridge University Press
ISBN: 0521565227
Pages: 341
Year: 1997-10-13
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The Cambridge Companion to Brass Instruments provides an overview of the history of brass instruments, and their technical and musical development. Much of the volume is devoted to the way brass instruments have been used in classical music, but there are also important contributions on the ancient world, non-Western music, vernacular and popular traditions and the rise of jazz. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers.
The Cambridge Companion to the Beatles
Author: Kenneth Womack
Publisher: Cambridge University Press
ISBN: 1139828061
Pages:
Year: 2009-11-12
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From Please Please Me to Abbey Road, this collection of essays tells the fascinating story of the Beatles – the creation of the band, their musical influences, and their cultural significance, with emphasis on their genesis and practices as musicians, songwriters, and recording artists. Through detailed biographical and album analyses, the book uncovers the background of each band member and provides expansive readings of the band's music. • Traces the group's creative output from their earliest recordings through their career • Pays particular attention to the social and historical factors which contributed to the creation of the band • Investigates the Beatles' unique enduring musical legacy and cultural power • Clearly organized into three sections, covering Background, Works, and History and Influence, the Companion is ideal for course usage, and is also a must-read for all Beatles fans
The Cambridge Companion to the Recorder
Author: John Mansfield Thomson
Publisher: Cambridge University Press
ISBN: 0521358167
Pages: 238
Year: 1995-10-27
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This is the first book to offer a complete introduction to the recorder. Eight contributors from four different countries write on topics such as the recorder and its music through the centuries, the recorder as orchestral instrument, the professional recorder player through history and today, and the phenomenon of the recorder revival. The Companion also contains basic reference material previously unavailable in one volume. A special feature is the rich collection of illustrations that provide a history of the instrument. The Cambridge Companion to the Recorder will be of interest to performers and students as well as to music enthusiasts.
Mozart
Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 0521479290
Pages: 111
Year: 1996-05-02
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An analysis of Mozart's Clarinet Concerto - of supreme importance as the composer's last instrumental work.
The Cambridge Companion to the Musical
Author: William A. Everett, Paul R. Laird
Publisher: Cambridge University Press
ISBN: 1107495229
Pages: 428
Year: 2008-05-22
View: 408
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Tracing the development of the musical on both Broadway and in London's West End, this updated Companion continues to provide a broad and thorough overview of one of the liveliest and most popular forms of musical performance. Ordered chronologically, essays cover from the American musical of the nineteenth century through to the most recent productions, and the book also includes key information on singers, audience, critical reception, and traditions. All of the chapters from the first edition remain – several in substantially updated forms – and five completely new chapters have been added, covering: ethnic musicals in the United States; the European musical; Broadway musicals in revival and on television; the most recent shows; and a case study of the creation of the popular show Wicked based on interviews with its creators. The Companion also includes an extensive bibliography and photographs from key productions.
The Cambridge Companion to the Orchestra
Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 0521001323
Pages: 297
Year: 2003-04-24
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This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.
The Clarinet and Clarinet Playing
Author: David Pino
Publisher: Courier Corporation
ISBN: 0486402703
Pages: 306
Year: 1980
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Features suggestions about technique, musicianship, and musical interpretation, as well as guidelines for teaching, making your own reeds, and preparing for public performance. Discusses the history of the clarinet. Appendixes. Includes 7 black-and-white illustrations.
The Cambridge Companion to Opera Studies
Author: Nicholas Till
Publisher: Cambridge University Press
ISBN: 0521855616
Pages: 351
Year: 2012-10-18
View: 1231
Read: 978
The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.
The Cambridge Companion to Recorded Music
Author: Nicholas Cook
Publisher: Cambridge University Press
ISBN: 0521865824
Pages: 359
Year: 2009-11-26
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Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.
The Early Clarinet
Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 0521624665
Pages: 128
Year: 2000-03-28
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A guide containing practical help on both the aquisition and playing of historical clarinets.
The Cambridge Companion to the Concerto
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 052183483X
Pages: 309
Year: 2005-10-27
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A rare volume dedicated entirely to scholarship on the genre of the concerto.
Woodwind Instruments and Their History
Author: Anthony Baines, Adrian Boult
Publisher: Courier Corporation
ISBN: 0486268853
Pages: 384
Year: 1967
View: 417
Read: 695
Superior study by expert combines discussion of design and construction with detailed history of the evolution of instruments from earliest times to present. 75 illustrations, 25 musical examples, 16 fingering charts.

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