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Exercises in Style
Author: Raymond Queneau, Barbara Wright
Publisher: New Directions Publishing
ISBN: 0811207897
Pages: 197
Year: 1981
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Queneau uses a variety of literary styles and forms in ninety-nine exercises which retell the same story about a minor brawl aboard a bus
Raymond Queneau
Author: Allen Thiher
Publisher: Twayne Pub
Pages: 148
Year: 1985-01-01
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Raymond Queneau's Zazie Dans Le Metro
Author: Charles Thomas Kestermeier
Pages: 454
Year: 1982
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We Always Treat Women Too Well
Author: Raymond Queneau, Barbara Wright
Publisher: New York Review of Books
ISBN: 159017030X
Pages: 169
Year: 2003-01
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Set in Dublin during the 1916 rebellion, this novel tells of a beauty trapped in a post office seized by rebels. This tale celebrates the imagination's power to transmute crude sensationalism into pure pleasure.
Exercises in Style
Author: Raymond Queneau
Publisher: New Directions Publishing
ISBN: 0811220885
Pages: 228
Year: 2013-01-31
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A new edition of a French modernist classic - a Parisian scene told ninety-nine different ways - with new material written in homage by the likes of Jonathan Lethem, Rivka Galchen, and many more. On a crowded bus at midday, Raymond Queneau observes one man accusing another of jostling him deliberately. When a seat is vacated, the first man appropriates it. Later, in another part of town, Queneau sees the man being advised by a friend to sew a new button on his overcoat. Exercises in Style — Queneau’s experimental masterpiece and a hallmark book of the Oulipo literary group — retells this unexceptional tale ninety-nine times, employing the sonnet and the alexandrine, onomatopoeia and Cockney. An “Abusive” chapter heartily deplores the events; “Opera English” lends them grandeur. Queneau once said that of all his books, this was the one he most wished to see translated. He offered Barbara Wright his “heartiest congratulations,” adding: “I have always thought that nothing is untranslatable.Here is new proof.” To celebrate the 65th anniversary of the 1947 French publication of Exercises de Style, New Directions has asked several writers to contribute new exercises as a tribute. Tantalizing examples include Jonathan Lethem’s “Cyberpunk,” Harry Mathew’s “Phonetic Eros,” and Frederic Tuten’s “Beatnik” exercises. This edition also retains Barbara Wright’s original introduction and reminiscence of working on this book — a translation that in 2008 was ranked first on the Author’s Society’s list of “The 50 Outstanding Translations of the Last 50 Years.”
The Lyric Encyclopedia of Raymond Queneau
Author: Jane Alison Hale
Pages: 189
Year: 1989
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The Discipleship Paradigm
Author: David R. Beck
Publisher: BRILL
ISBN: 9004107002
Pages: 173
Year: 1997
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This work examines the function of anonymous characters in the Fourth Gospel narrative and how their anonymity enables reader identification, thereby facilitating reader participation in the claims of the narrative, specifically the recognition of and response to Jesus' identity.
Georges Perec: A Life in Words
Author: David Bellos
Publisher: Random House
ISBN: 1409019268
Pages: 832
Year: 2010-11-30
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"It's hard to see how anyone is ever going to better this User's Manual to the life of Georges Perec" - Gilbert Adair, Sunday Times Winner of the Prix Goncourt for Biography, 1994 George Perec (1936-82) was one of the most significant European writers of the twentieth century and undoubtedly the most versatile and innovative writer of his generation. David Bellos's comprehensive biography - which also provides the first full survey of Perec's irreverent, polymathic oeuvre - explores the life of an anguished, comical and endearingly modest man, who worked quietly as an archivist in a medical research library. The French son of Jewish immigrants from Poland, he remained haunted all of his life by his father's death in the war, fighting to defend France, and his mother's in Auschwitz-Birkenau. His acclaimed novel A Void (1969) - written without using the letter "e" - has been seen as an attempt to escape from the words "père", "mere", and even "George Perec". His career made an auspicious start with Things: A Story of the Sixties (1965), which won the Prix Renaudot. He then pursued an idiosyncratic and ambitious literary itinerary through the intellectual ferment of Paris in the 1960s and 1970s.He belonged to the Ouvrior de Littérature Potentielle (OuLiPo), a radically inventive group of writers whose members included Raymond Queneau and Italo Calvino. Perec achieved international celebrity with Life A User's Manual (1978), which won the Prix Medicis and was voted Novel of the Decade by the Salon du Livre. He died in his mid-forties after a short illness, leaving a truly puzzling detective novel, 53 Days, incomplete. "Professor Bellos's book enables us at once to relish the most wilfully bizarre aspects of Perec's oeuvre and to understand the whys and wherefores of his protean nature" - Jonathan Romney, Literary Review
Introduction to the Reading of Hegel
Author: Alexandre Kojève
Publisher: Cornell University Press
ISBN: 0801492033
Pages: 287
Year: 1980
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During the years 1933-1939, the Marxist political philosopher Alexandre Kojeve brilliantly explicated--through a series of lectures--the philosophy of Hegel as it was developed in the Phenomenology of Spirit. Based on the major work by Kojeve, this collection of lectures was chosen by Bloom to show the intensity of Kojeve's study and thought and the depth of his insight into Hegel's Phenomenology of Spirit.
The Author's & Writer's Who's who
Author: Edward Martell
Year: 1971
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Intertextual Turns in Raymond Queneau's Le Chiendent
Author: Alexander C. Hertich
Pages: 294
Year: 2001
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Witch Grass
Author: Raymond Queneau, Barbara Wright
Publisher: New York Review of Books
ISBN: 1590170318
Pages: 313
Year: 2003-01
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Seated in a Paris café, a man glimpses another man, a shadowy figure hurrying for the train: Who is he? he wonders, How does he live? And instantly the shadow comes to life, precipitating a series of comic run-ins among a range of disreputable and heartwarming characters living on the sleazy outskirts of the city of lights. Witch Grass (previously titled The Bark Tree) is a philosophical farce, an epic comedy, a mesmerizing book about the daily grind that is an enchantment itself.
Saint Glinglin
Author: Raymond Queneau, James Sallis
Publisher: Dalkey Archive Press
ISBN: 1564782301
Pages: 169
Year: 2000
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Saint Glinglin is a tragicomic masterpiece, a novel that critic Vivian Mercier said "can be mentioned without incongruity in the company" of Mann's Magic Mountain and Joyce's Ulysses. "By turns strange, beautiful, ludicrous, and intellectually stimulating" (as Mercier goes on to say), Saint Glinglin retells the primal Freudian myth of sons killing the father in an array of styles ranging from direct narrative, soliloquy, and interior monologue to quasi-biblical verse. In this strange tale of a land where it never rains, where a bizarre festival is held every Saint Glinglin's Day, Queneau deploys fractured syntax, hidden structures, self-imposed constraints, playful allusions, and puns and neologisms to explore the most basic concepts of culture. In the process, Queneau satirizes anthropology, folklore, philosophy, and epistemology, all the while spinning a story as appealing as a fairy tale.
Raymond Queen's Le Chiendent
Author: Patricia M. Neptune
Pages: 320
Year: 1985
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Exercises in Programming Style
Author: Cristina Videira Lopes
Publisher: CRC Press
ISBN: 1482227398
Pages: 304
Year: 2016-04-19
View: 349
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Using a simple computational task (term frequency) to illustrate different programming styles, Exercises in Programming Style helps readers understand the various ways of writing programs and designing systems. It is designed to be used in conjunction with code provided on an online repository. The book complements and explains the raw code in a way that is accessible to anyone who regularly practices the art of programming. The book can also be used in advanced programming courses in computer science and software engineering programs. The book contains 33 different styles for writing the term frequency task. The styles are grouped into nine categories: historical, basic, function composition, objects and object interactions, reflection and metaprogramming, adversity, data-centric, concurrency, and interactivity. The author verbalizes the constraints in each style and explains the example programs. Each chapter first presents the constraints of the style, next shows an example program, and then gives a detailed explanation of the code. Most chapters also have sections focusing on the use of the style in systems design as well as sections describing the historical context in which the programming style emerged.

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