Electronic Music Cambridge Introductions To Music Book PDF, EPUB Download & Read Online Free

Electronic Music
Author: Nicholas Collins, Margaret Schedel, Scott Wilson
Publisher: Cambridge University Press
ISBN: 1107010934
Pages: 227
Year: 2013-05-09
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This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.
Music Technology
Author: Julio d' Escrivan Rincón
Publisher: Cambridge University Press
ISBN: 1107000807
Pages: 215
Year: 2012
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An engaging and user-friendly introduction to the world of music technology, perfect for music students with little technical background.
The Cambridge Companion to Electronic Music
Author: Nick Collins, Julio d'Escrivan
Publisher: Cambridge University Press
ISBN: 1107133556
Pages: 335
Year: 2017-10-31
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Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrte and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.
Music Sketches
Author: Friedemann Sallis
Publisher: Cambridge University Press
ISBN: 0521866480
Pages: 290
Year: 2015-01-29
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This introduction provides students and scholars with the information and skills they need when studying composers' sketches.
Living Electronic Music
Author: Simon Emmerson
Publisher: Routledge
ISBN: 1351217844
Pages: 216
Year: 2017-09-29
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Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand in a studio, some coded 'on the fly', others 'plundered' from the widest possible range of sources. But others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. Some composers claim they just 'respond' to sound and compose 'with their ears', while others use models and analogies of previously 'non-musical' processes. It is evident that in such new musical practices the human body has a new relationship to the sound. There is a historical dimension to this, for since the earliest electroacoustic experiments in 1948 the body has been celebrated or sublimated in a strange 'dance' of forces in which it has never quite gone away but rarely been overtly present. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.
Electronic and Computer Music
Author: Peter Manning
Publisher: Oxford University Press
ISBN: 0199912599
Pages: 576
Year: 2013-02-27
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In this new edition of the classic text on the evolution of electronic music, Peter Manning extends the definitive account of the medium from its birth to include key developments from the dawn of the 21st century to the present day. The scope of the many developments that have taken place since the late 1990s are considered in a series of new and updated chapters, including topics such as the development of the digital audio workstation, laptop music, the Internet, and the emergence of new performance interfaces. Emphasizing the functional characteristics of emerging technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors to provide readers with the most comprehensive resource available on the evolution of this ever-expanding area of creativity.
The Computer Music Tutorial
Author: Curtis Roads
Publisher: MIT Press
ISBN: 0262680823
Pages: 1234
Year: 1996-01
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This text provides a step-by-step introduction to the entire field of computer music techniques. Written for nontechnical as well as technical readers, it uses hundreds of charts, diagrams, screen images, and photographs as well as clear explanations to present basic concepts and terms.
Introduction to Computer Music
Author: Nick Collins
Publisher: John Wiley & Sons
ISBN: 0470714557
Pages: 377
Year: 2010-02-01
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This title deals with both the practical use of technology in music and the key principles underpinning the discipline. It targets both musicians exploring computers, and technologists engaging with music, and does so in the confidence that both groups can learn tremendously from the cross-disciplinary encounter.
The Cambridge Introduction to Edward Said
Author: Conor McCarthy
Publisher: Cambridge University Press
ISBN: 1139491407
Year: 2010-07-22
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One of the most famous literary critics of the twentieth century, Edward Said's work has been hugely influential far beyond academia. As a prominent advocate for the Palestinian cause and a noted music critic, Said redefined the role of the public intellectual. In his books, as scholarly as they are readable, he challenged conventional critical demarcations between disciplines. His major opus, Orientalism, is a key text in postcolonial studies that continues to influence as well as challenge scholars in the field. Conor McCarthy introduces the reader to Said's major works and examines how his work and life were intertwined. He explains recurring themes in Said's writings on literature and empire, on intellectuals and literary theory, on music and on the Israel/Palestine conflict. This concise, informative and clearly written introduction for students beginning to study Said is ideally set up to explain the complexities of his work to new audiences.
Introduction to Epilepsy
Author: Gonzalo Alarcón, Antonio Valentín
Publisher: Cambridge University Press
ISBN: 0521691583
Pages: 624
Year: 2012-04-26
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Covers all aspects of epilepsy, from basic mechanisms to diagnosis and management, as well as legal and social considerations.
An Introduction to Ethics
Author: John Deigh
Publisher: Cambridge University Press
ISBN: 052177246X
Pages: 241
Year: 2010-03-04
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This book examines the central questions of ethics through a study of the great ethical works of Western philosophy.
Literature in the Digital Age
Author: Adam Hammond
Publisher: Cambridge University Press
ISBN: 1107041902
Pages: 280
Year: 2016-03-06
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This book guides readers through the most salient theoretical and creative possibilities opened up by the shift to digital literary forms.
The Cambridge History of Twentieth-Century Music
Author: Nicholas Cook, Anthony Pople
Publisher: Cambridge University Press
ISBN: 0521662567
Pages: 818
Year: 2004-08-05
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"Music" referred only to the artistic, classical tradition of Western Europe and North America at the beginning of the twentieth century. However, several different traditions emerged by the end of the century. Written by experts in the field, this book surveys how the Western tradition was affected by the development of jazz, popular music, and world music and links the history of music with that of its social contexts.
Game Sound
Author: Karen Collins
Publisher: MIT Press
ISBN: 026203378X
Pages: 200
Year: 2008
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An examination of the many complex aspects of game audio, from the perspectives of both sound design and music composition.
A History of Film Music
Author: Mervyn Cooke
Publisher: Cambridge University Press
ISBN: 1316264866
Year: 2008-09-25
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This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.

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